Posts by Manuela Lazic

What You Gonna Do When the World’s on Fire?

By Manuela Lazic

Roberto Minervini’s vital documentary follows in the wake of a series of brutal killings of black men in the US.

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Support the Girls

By Manuela Lazic

Andrew Bujalski’s workplace comedy, set in a Hooters-style sports bar, offers a sly critique of the patriarchy.

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Madeline’s Madeline

By Manuela Lazic

Newcomer Helena Howard is astonishing in Josephine Decker’s bold exploration of art and authorship.

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Alice Rohrwacher: ‘We imagine that a good man does good, but it’s an illusion’

By Manuela Lazic

Happy as Lazzaro is an ethereal take on modern slavery and what it means to be happy. We meet its maker.

Maggie Gyllenhaal: ‘It’s a cautionary tale about the consequences of starving women’

By Manuela Lazic

The star of The Kindergarten Teacher talks about living in the long shadow of dashed dreams.

The Wife

By Manuela Lazic

Glenn Close gives a wonderfully enigmatic performance in Björn Runge’s adaptation of Meg Wolitzer’s novel.

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American Animals

By Manuela Lazic

Documentarian Bart Layton blurs the line between fact and fiction in his compelling heist drama.

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How The Stairs provides an honest insight into drug addiction

By Manuela Lazic

Hugh Gibson’s 2016 documentary is a sensitive and important portrait of addicts in Toronto.

Mamma Mia! Here We Go Again

By Manuela Lazic

This triumphant sequel to 2008’s ABBA musical is the most purely enjoyable big screen experience of the summer.

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McQueen

By Manuela Lazic

The late fashion designer’s life and work makes for a compelling if complicated subject.

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L’Amant Double

By Manuela Lazic

This twisty psycho-thriller from François Ozon sees a perplexed young woman dating identical shrinks.

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Knife + Heart – first look review

By Manuela Lazic

A thriller set in the 1970s world of Parisian porn tries to intellectualise its seedy story, but misses the mark.

Yomeddine – first look review

By Manuela Lazic

This sweet but slight Egyptian road movie follows a leper and an orphan on the road to self-discovery.

That Good Night

By Manuela Lazic

John Hurt’s final screen performance is humorous and delicate, but isn’t enough to save this drab drama.

review

Are superhero movies killing traditional screen acting?

By Manuela Lazic

As tentpole blockbusters expand and evolve, actors are having to flex their performance muscles in different ways.

Western

By Manuela Lazic

A solitary protagonist searches for human connection in this vibrant drama from director Valeska Grisebach.

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Robin Campillo: ‘I love to film things that seem impure in cinema’

By Manuela Lazic

The Moroccan-born French director recalls the excitement of being a member of Act Up.

A Woman’s Life

By Manuela Lazic

Stéphane Brizé takes a soft approach to this adaptation of Guy de Maupassant’s tale of 19th-century womanhood.

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The Greatest Showman

By Manuela Lazic

Hugh Jackman brings boundless energy and enthusiasm to this crowd-pleasing circus musical.

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Molly’s Game

By Manuela Lazic

Jessica Chastain plays real-life high roller Molly Bloom in this goofy gambling drama from Aaron Sorkin.

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Griffin Dunne on acting, Joan Didion and his plans for an After Hours TV show

By Manuela Lazic

The actor, director and producer discusses his latest project and reflects on his remarkably varied career.

Andrea Riseborough: ‘I get on a film set and brace myself to be patronised’

By Manuela Lazic

The British actor discusses her love of diving into a character and how she deals with everyday sexism in the film industry.

The Snowman

By Manuela Lazic

Michael Fassbender heads up this dodgy Nordic noir based on a novel by bestselling thriller writer Jo Nesbø.

review

Home Again

By Manuela Lazic

Reese Witherspoon plays an LA single mom to disastrous effect in Hallie Meyers-Shyer’s directorial debut.

review

The Story of a Scene: David Lowery on A Ghost Story

By Manuela Lazic

The writer/director reveals how he convinced Rooney Mara to eat a pie for his haunting drama.

Hounds of Love

By Manuela Lazic

A gory, unexpectedly profound Aussie serial killer horror from actor-turned-director Ben Young.

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Kedi

By Manuela Lazic

Istanbul’s feline residents take centre stage in this affectionate and charming documentary.

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David Michôd: ‘When your leaders lie to you all the time, you stop believing anything’

By Manuela Lazic

The Australian writer/director sounds off about his spiky military satire, War Machine.

The Day After – first look review

By Manuela Lazic

Another day, another delicate, insightful gem from Korean director Hong Sang-soo.

The Zookeeper’s Wife

By Manuela Lazic

They bought a zoo, and now the Nazis want it. Jessica Chastain stars in this soft-edged wartime drama.

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Personal Shopper

By Manuela Lazic

Kristen Stewart excels in this strange, surprising and occasionally sublime film from Olivier Assayas.

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I am now a girl who watches Girls

By Manuela Lazic

A former skeptic reveals how her curiosity with Lena Dunham’s show grew into a personal obsession.

The LEGO Batman Movie

By Manuela Lazic

With great jokes and a subversive moral core, this animated comedy manages to have its brick-based cake and eat it.

review

Sing

By Manuela Lazic

Don’t miss this animated jukebox musical from Son of Rambow director Garth Jennings.

review

Meryl Streep’s five best performances

By Manuela Lazic

Following her recent lifetime achievement award, we revisit some of the defining roles from a truly remarkable career.

Nocturnal Animals

By Manuela Lazic

Tom Ford’s long-awaited follow-up to A Single Man is a gorgeous, wild and wholly frustrating affair.

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The Accountant

By Manuela Lazic

Ben Affleck’s compelling low-key performance isn’t enough to save this by-the-numbers thriller.

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After Love

By Manuela Lazic

The bitter bureaucracy of a break up is rendered with delicacy by the Belgian director Joachim Lafosse.

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Doctor Strange

By Manuela Lazic

At long last – a light, funny superhero movie that embraces the fantasy aspects of the genre in both its story and form.

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Justin Timberlake + the Tennessee Kids

By Manuela Lazic

Jonathan Demme captures the full spectacle of the pop superstar in concert. The results are astonishing.

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Into the Inferno – first look review

By Manuela Lazic

Werner Herzog goes head to head with the volcanoes of the world in this new, globe-trotting doc.

Sing – first look review

By Manuela Lazic

Brit director Garth Jennings turns his hand to an eccentric animated singing competition in this utterly delightful new work.

Free Fire – first look review

By Manuela Lazic

Ben Wheatley shoots for full-on fun with this single location ensemble actioner. And he scores. Big time.

Nocturama – first look review

By Manuela Lazic

Bertrand Bonello stuns with this coolly exacting, lightly experimental take on the impulse modern terrorism.

Hell or High Water

By Manuela Lazic

Jeff Bridges gives his best performance in years in this timely crime caper from David Mackenzie.

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Jason Bourne

By Manuela Lazic

Matt Damon’s black ops action man returns in a sequel primed for our social media-obsessed times. Uh-oh…

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Hell or High Water – first look review

By Manuela Lazic

This blustery neo-western from British director David Mackenzie relishes taking potshots at capitalism.

The Transfiguration – first look review

By Manuela Lazic

A realist vampire flick from a first-timer drops into the Cannes official selection. The results are mixed.

The Brand New Testament

By Manuela Lazic

This saccharine religious comedy from Belgium’s Jaco Van Dormael fails to live up to its initial promise.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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